![]() ![]() It had multiple delay patterns to create different rhythmic feels, EQ control to hone the delay’s tone, an integrated spring reverb, and - most famously of all - adjustable tape speed, letting it create otherworldly, haunting pitch changes in the delay. It didn’t just sound great, it was versatile too. Tal-Dub I The most basic of the three, the controls are. Finally, floaty, magic echo in a self-contained, reliable unit. There are 3 free delays from Tal, each with their own subtle differences in features and interface. An updated version of Kakehashi’s design, this time using standard 1/4" tape in a continuous, loose loop, and no reels, became the go-to favorite for musicians and producers. It lets you do some really interesting things with the sound. The repitch is based on the way an oldschool tape delay would work. In 1974, the music world was taken by storm, or rather, by space. If you set it to jump or fade, it won't change the pitch and the quality of the sound should be pretty static and just the timing of the delay should change. We can observe the delay introduced by the system on the picture below. Hearing this fluttering golden tone, it wasn’t long before studios, recording engineers, and producers wanted to make it part of their signature sounds. If you want to avoid your system latency, you need to record audio in a track without monitor it. A slight positive Shift of 3.80Hz, a 145ms Delay and around 50 Feedback completely washes our synth signal out with shimmering repeats. From the early EchoSonic pioneered by Ray Butts, Mike Battle’s Echoplex, to Ikutaro Kakehashi’s masterful Echo Chamber series, tape delays gave guitarists and organ players a new, exciting tool to use on stage and in the studio. This amazing plugin pays tribute to the tape delays that changed the way music sounded forever. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |